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Sergei Eisenstein

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Moving to Other Website February 16, 2023
Table of Contents April 10, 2022
Arthur Danto, Moving Picture December 8, 2021
Foucault’s Essence in Deleuze June 20, 2021
National Museum of Korea June 12, 2021
Present presentation in Colloquium June 8, 2021
Write the Comma June 1, 2021
Close-up and Cinema December 25, 2020
Deleuze and Diagram in the Architectural Point of View October 18, 2020
Where is My World? July 30, 2020
SEEABLE RELATIONSHIP. SAYABLE CONNECTION. #04: In Search of Lost Time June 19, 2020
Merleau-Ponty (1948) – The World of Perception & The World of Science June 8, 2020
Why Gesture April 21, 2020
The Place of Artists’ Cinema April 13, 2020
Media-archaeology and Artist: Rear‐View Mirror April 2, 2020
Journey to the Seaside and honest back story of my work March 7, 2020
Seeable Relationship. Sayable connection. #03 February 13, 2020
Seeable Relationship. Sayable connection. #02 February 12, 2020
Seeable Relationship. Sayable connection. #01 February 10, 2020
Desired Desires January 8, 2020
Processing: Pixels to Sound May 1, 2019
Peter Wollen’s Relationship Between Photography and Time April 21, 2019
Wheeling Motion and Memory April 20, 2019
Annette Michelson’s Camera Obscura, Camera Lucida April 16, 2019
Indexicality March 13, 2019
Walter Benjamin and Archival Cultural Theory March 11, 2019
Archiveology March 2, 2019
Design – Directed, Controlled, and Persuasive May 20, 2018
halfandHalf_walking May 20, 2018
090518 Small Room First Mockup May 19, 2018
Mockup setting process document May 17, 2018
Degree show Plans May 11, 2018
Experimental Video Art and frame / Theories May 11, 2018
Plan for pin-ups May 11, 2018
What I should do consider as a designer May 11, 2018
New Media May 11, 2018
Artists’s Cinema May 11, 2018
Untitled April 25, 2018
230418 a Month Plan for Submission April 23, 2018
Movement-Image Sign April 2, 2018
Future Cinema March 25, 2018
Film before film, before images March 25, 2018
C4D Practice March 24, 2018
Lethaby EXHIBITION: TEMPORALITIES March 15, 2018
The volume of the time March 13, 2018
Gordon Matta-Clark March 11, 2018
WIP show testing March 2, 2018
A week beofre WIP February 26, 2018
Post-Pin-up testing February 26, 2018
Monitor and Video – stillness February 25, 2018
How to get to extensible space? February 22, 2018
1902 Pin-up testing February 19, 2018
Compressing February 16, 2018
Circles and Squares / interactive narratives February 15, 2018
Again Frame as a space February 14, 2018
Fading and isolation February 11, 2018
A man replaced Retina / Zbig Rybczynski January 31, 2018
MAGCD Pinup 22 JAN 2018 January 23, 2018
Screen & Computer vision January 23, 2018
Four-dimensional space January 18, 2018
The animal and frame January 7, 2018
Still moving January 6, 2018
Sound-on-film January 3, 2018
Baudrillard, ‘Fetishism and Ideology’ January 2, 2018
Willem Oorebeek January 1, 2018
Zoo research December 31, 2017
Jumping December 27, 2017
Recent doodles December 21, 2017
Intermediate intersection December 18, 2017
p5js December 13, 2017
eyes to eyes – Review of Cover to Cover December 6, 2017
Letter to design December 5, 2017
Hitherto Unknown to Known November 26, 2017
Eatock.com November 24, 2017
Symposium November 24, 2017
Screen frame practice 2 November 22, 2017
Domains and image schemas November 22, 2017
Informed matter 2 November 22, 2017
Explanatory representation November 22, 2017
Error Shape November 21, 2017
Screen frame practice November 21, 2017
Personal and internal Manifesto/Diary November 21, 2017
Informed matter November 14, 2017
Certified copy of an entry November 12, 2017
The Communication Theory Reader November 10, 2017
Frame November 8, 2017
Bruno Munari – November 8, 2017
Ratio November 7, 2017
A4 – 002 November 5, 2017
A4 – 001 November 3, 2017
Standardisation of the paper November 3, 2017
a Boat October 31, 2017
Communication Entrainment October 29, 2017
Very Personal and Very General October 7, 2017
Endless scrolling October 7, 2017
APPLE TV AD From 1984 to 2017, edited and remained only last Part of Logo October 5, 2017
Searchable memory October 1, 2017
Swapped Blue Marble September 27, 2017
Note (1) September 23, 2017
Deviate – Beau Lotto September 22, 2017
Disposable to disposal September 20, 2017
Kodak Shirleys September 20, 2017
Progress September 12, 2017
Slash/virgule August 24, 2017
The future of the image Ranciere, Jacques August 22, 2017
Roland Barthes – Camera Lucida (PHOTOS-Reference) August 21, 2017
Image and Video August 21, 2017
Royal Academy Summer Exhibition August 3, 2017
Isaac Julien July 24, 2017
The Visibles June 1, 2017
Font making May 16, 2017
Stream or blood vessel May 15, 2017
codex May 7, 2017
Hided Jan van Eyck May 7, 2017
Fully cooked signature May 7, 2017
Uses of Signature on different point May 5, 2017
Signature in Media Law May 5, 2017
Moment of holding the signifier to another signifier / Derrida May 5, 2017
More idea about the Signature and Sotheby’s Old Masters Auction May 3, 2017
HOCKNEY, D. (2017). DAVID HOCKNEY. London: TATE BRITAIN May 2, 2017
Signature in Art 18th and 19th century May 1, 2017
Countermarch May 1, 2017
Bunraku – Signified, Signifier, Signifie April 29, 2017
Researching about the Signatures and Monograms April 24, 2017
I Against “against” April 23, 2017
New but Familiar (2) March 27, 2017
Dimension of questioning March 21, 2017
Pink nail January 8, 2017
Satellite January 4, 2017
Clear drunkenness December 25, 2016
Affection December 14, 2016
I know I have too much thought but November 15, 2016
Foucault is not helping me November 11, 2016
Interpretation November 2, 2016
The past is just a story we tell ourselves October 24, 2016
who was there October 15, 2016
Wunderkammern October 12, 2016
New but Familiar (1) October 10, 2016
Incoherent Thoughts August 28, 2016
Protected: Herbivore August 19, 2016
Reflect Journal for a day – 15.08 August 15, 2016
Understanding myself August 6, 2016
D637 + a August 2, 2016
First week August 1, 2016

Empty Your Glass

Personal journal with drunken brain

tony-oursler-the-influence-machine-2001-mp4

Published: April 1, 2020 (updated: April 1, 2020)

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