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Projects

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  • Sergei Eisenstein

day by day

  • 2021-06-18-FOUCAULT’s ESSENCE IN DELEUZE June 20, 2021
  • 2021-06-12-National Museum of Korea June 12, 2021
  • 2021-06-08-present presentation June 8, 2021
  • 2021-06-02-write the comma June 1, 2021
  • 202012251332—Close-up and Cinema 클로즈업과 시네마 December 25, 2020
  • 202007052120 — Deleuze and Diagram October 18, 2020
  • Where is My World? July 30, 2020
  • 2020-06-19-SEEABLE RELATIONSHIP. SAYABLE CONNECTION. #04: In Search of Lost Time June 19, 2020
  • Merleau-Ponty (1948) – The World of Perception & The World of Science June 8, 2020
  • 202004032042 — Why Gesture April 21, 2020
  • 202004131729 — The place of Artists’ Cinema April 13, 2020
  • 202003290348 — Media-archaeology and Artist: Rear‐View Mirror April 2, 2020
  • Journey to the Seaside and honest back story of my work March 7, 2020
  • Seeable Relationship. Sayable connection. #03 February 13, 2020
  • Seeable Relationship. Sayable connection. #02 February 12, 2020
  • Seeable Relationship. Sayable connection. #01 February 10, 2020
  • Desired Desires January 8, 2020
  • Processing: Pixels to Sound May 1, 2019
  • 201904211525 Peter Wollen’s relationship between photography and time April 21, 2019
  • 201904192103 Wheeling motion and Memory April 20, 2019
  • 201904151314 Camera Obscura, Camera Lucida April 16, 2019
  • Indexicality March 13, 2019
  • Cultural Theory 문화 이론 March 11, 2019
  • Benjamin index card original March 11, 2019
  • Archiveology March 2, 2019
  • Design – Directed, controlled, and persuasive May 20, 2018
  • halfandHalf_walking May 20, 2018
  • 090518 Small Room First Mockup May 19, 2018
  • Mockup setting process document May 17, 2018
  • Degree show Plans May 11, 2018
  • Experimental Video Art and frame / Theories May 11, 2018
  • Plan for pin-ups May 11, 2018
  • What I should do consider as a designer May 11, 2018
  • New Media May 11, 2018
  • Artists’s Cinema May 11, 2018
  • Untitled April 25, 2018
  • 230418 a Month Plan for Submission April 23, 2018
  • Movement-Image Sign April 2, 2018
  • Future Cinema March 25, 2018
  • Film before film, before images March 25, 2018
  • C4D Practice March 24, 2018
  • Lethaby EXHIBITION: TEMPORALITIES March 15, 2018
  • The volume of the time March 13, 2018
  • Gordon Matta-Clark March 11, 2018
  • WIP show testing March 2, 2018
  • A week beofre WIP February 26, 2018
  • Post-Pin-up testing February 26, 2018
  • Monitor and Video – stillness February 25, 2018
  • How to get to extensible space? February 22, 2018
  • 1902 Pin-up testing February 19, 2018
  • Compressing February 16, 2018
  • Circles and Squares / interactive narratives February 15, 2018
  • Again Frame as a space February 14, 2018
  • Fading and isolation February 11, 2018
  • A man replaced Retina / Zbig Rybczynski January 31, 2018
  • MAGCD Pinup 22 JAN 2018 January 23, 2018
  • Screen & Computer vision January 23, 2018
  • Four-dimensional space January 18, 2018
  • The animal and frame January 7, 2018
  • Still moving January 6, 2018
  • Sound-on-film January 3, 2018
  • Baudrillard, ‘Fetishism and Ideology’ January 2, 2018
  • Willem Oorebeek January 1, 2018
  • Zoo research December 31, 2017
  • Jumping December 27, 2017
  • Recent doodles December 21, 2017
  • Intermediate intersection December 18, 2017
  • p5js December 13, 2017
  • eyes to eyes – Review of Cover to Cover December 6, 2017
  • Letter to design December 5, 2017
  • Hitherto Unknown to Known November 26, 2017
  • Eatock.com November 24, 2017
  • Symposium November 24, 2017
  • Screen frame practice 2 November 22, 2017
  • Domains and image schemas November 22, 2017
  • Informed matter 2 November 22, 2017
  • Explanatory representation November 22, 2017
  • Error Shape November 21, 2017
  • Screen frame practice November 21, 2017
  • Personal and internal Manifesto/Diary November 21, 2017
  • Informed matter November 14, 2017
  • Certified copy of an entry November 12, 2017
  • The Communication Theory Reader November 10, 2017
  • Frame November 8, 2017
  • Bruno Munari – November 8, 2017
  • Ratio November 7, 2017
  • A4 – 002 November 5, 2017
  • A4 – 001 November 3, 2017
  • Standardisation of the paper November 3, 2017
  • a Boat October 31, 2017
  • Communication Entrainment October 29, 2017
  • Very Personal and Very General October 7, 2017
  • Endless scrolling October 7, 2017
  • APPLE TV AD From 1984 to 2017, edited and remained only last Part of Logo October 5, 2017
  • Searchable memory October 1, 2017
  • Swapped Blue Marble September 27, 2017
  • Note (1) September 23, 2017
  • Deviate – Beau Lotto September 22, 2017
  • Disposable to disposal September 20, 2017
  • Kodak Shirleys September 20, 2017
  • Progress September 12, 2017
  • Slash/virgule August 24, 2017
  • The future of the image Ranciere, Jacques August 22, 2017
  • Roland Barthes – Camera Lucida (PHOTOS-Reference) August 21, 2017
  • Image and Video August 21, 2017
  • Royal Academy Summer Exhibition August 3, 2017
  • Isaac Julien July 24, 2017
  • The Visibles June 1, 2017
  • Font making May 16, 2017
  • Stream or blood vessel May 15, 2017
  • codex May 7, 2017
  • Hided Jan van Eyck May 7, 2017
  • Fully cooked signature May 7, 2017
  • Uses of Signature on different point May 5, 2017
  • Signature in Media Law May 5, 2017
  • Moment of holding the signifier to another signifier / Derrida May 5, 2017
  • More idea about the Signature and Sotheby’s Old Masters Auction May 3, 2017
  • HOCKNEY, D. (2017). DAVID HOCKNEY. London: TATE BRITAIN May 2, 2017
  • Signature in Art 18th and 19th century May 1, 2017
  • Countermarch May 1, 2017
  • Bunraku – Signified, Signifier, Signifie April 29, 2017
  • Researching about the Signatures and Monograms April 24, 2017
  • I Against “against” April 23, 2017
  • New but Familiar (2) March 27, 2017
  • Dimension of questioning March 21, 2017
  • Pink nail January 8, 2017
  • Satellite January 4, 2017
  • Clear drunkenness December 25, 2016
  • Affection December 14, 2016
  • I know I have too much thought but November 15, 2016
  • Foucault is not helping me November 11, 2016
  • Interpretation November 2, 2016
  • The past is just a story we tell ourselves October 24, 2016
  • who was there October 15, 2016
  • Wunderkammern October 12, 2016
  • New but Familiar (1) October 10, 2016
  • Incoherent Thoughts August 28, 2016
  • Protected: Herbivore August 19, 2016
  • Reflect Journal for a day – 15.08 August 15, 2016
  • Understanding myself August 6, 2016
  • D637 + a August 2, 2016
  • First week August 1, 2016

Empty Your Glass

Personal journal with drunken brain

Monitor and Video – stillness

EyeCursor5

 

 

References

 

Screen Shot 2018-02-25 at 12.01.55.png

Yvonne Spielmann, Video and Computer : The Aesthetics of Steina and Woody Vasulka

ACCESS, 2003

https://0100101110101101.org/

Shredder

Shredder 1.1Shredder 1.1

Published: February 25, 2018 (updated: February 25, 2018)
Filed under: Underlined
Tags: cursor, gif, projects, references, research

Posted by moonilsun

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